• English
  • Русский

Genre individuality of Instagram social net

This is an open access article distributed under the terms of Creative Commons Attribution 4.0 International License (CC-BY 4.0).

The article presents an analysis of the Instagram Internet service genre features. The place and importance of Instagram among Internet communication social services are discussed; specifics of Instagram as a social net with particular opportunities of virtual socialization and self-presentation of communication subjects are considered. 

The author develops the idea of Instagram discourse being formed as a secondary hypergenre showing the specific characteristics: creolization of message in which the center of communicative activity is a picture with corresponding comments, precedence (being implemented by hashtags) and interactivity.

Some important differences in the communicative and speech genre presentation of reality in Instagram comparing with other services have been discovered.

Bibliography
  1. Antologiya rechevykh zhanrov: povsednevnaya kommunikatsiya [Anthology of speech genres: everyday communication]. Ed. K. F. Sedov. Moscow, 2007. 320 p.
  2. Dement'ev V. V. Teoriya rechevykh zhanrov i aktual'nye protsessy sovremennoj rechi [The theory of speech genres and actual processes of the modern speech]. Voprosy yazykoznaniya [Topics in the study of language]. 2015, no. 6, pp. 78–107.
  3. Rogacheva N. B. Struktura i funktsionirovanie vtorichnykh rechevykh zhanrov internet-kommunikatsii (na materiale russkogo i angliiskogo yazykov) [Structure and functioning of secondary speech genres of Internet communication (based on the material of Russian and English). Cand. philol. sci. diss.]. Saratov, 2011. 256 p.
  4. Shmeleva T. V. Zhanr v sovremennoy mediasfere [Genre in modern mediasphere]. Zhanry rechi: sb. nauch. tr. [Speech genres: collection of scientific works. Ed. by V. V. Denentyev]. Iss. 8: Genre and creativity. Saratov; Moscow, 2012, pp. 26–37.
  5. Shchipitsina L. Yu. Zhanry komp’yuterno-oposredovannoi kommunikatsii [Genres of computer-mediated communication]. Arkhangel’sk, 2009. 238 p.
  6. Shchurina Yu. V. Vtorichnye komicheskie rechevye zhanry internet-kommunikatsii [Secondary comic speech genres of Internet communication]. Kommunikatsiya. Myshlenie. Lichnost:  materialy mezhdunar. nauch. konf. pamyati I. N. Gorelova i K. F. Sedova [Communication. Thinking. Personality: materials of international scientific conference dedicated to I. N. Gorelov and K. F. Sedov]. Saratov, 2012, pp. 464–474.
  7. Dement'ev V. V. Lingvoekologiya cherez prizmu rechevvkh zhanrov: sfera novykh «tekhnologicheskikh» kommunikatsiy [Lingvoecology through the prism of speech genres: the sphere of new «technological» communications]. Ekologiya yazyka i novaya kommunikativnaya praktika [Ecology of language and communicative practice]. Iss. 2, 2015, pp. 22–47.
  8. Karpoyan S. M. Instagram kak osoby zhanr virtual'noy kommunikatsii [Instagram as a peculiar genre of virtuai communication]. Filologicheskie nauki. Voprosy teorii i praktiki [Philological sciences. Issues of theory and practice]. Iss. 12 (54), vol. III. Tambov, 2015, pp. 84–88.
  9. Goroshko E. I. Lingvistika Interneta: formirovanie distsiplinarnoy paradigmyi [Internet Linguistics: the formation of a disciplinary paradigm]. Zhanryi i tipyi teksta v nauchnom i mediynom diskurse: sb. nauch. tr. [Genres and text types in the scientific and media discourse: collection of scientific works]. Iss. 5. Orel, 2007, pp. 223–237.
  10. Goroshko E. I., Zhigalina E. A. Virtual'noe Zhanrovedenie: ustoyavsheyesya i spornoe [Virtual genre studies: established and controversial]. Uchyonye zapiski Tavricheskogo natsional'nogo universiteta [Scientific papers of Tavria national university]. Vol. 24 (63), no. 1, part 1. 2011, pp. 105–124.
  11. Lutovinova O. V. Lingvokul'turologicheskie harakteristiki virtual'nogo diskursa [Linguoculturological characteristics of virtual discourse]. Volgograd, 2009. 477 p.
  12. Kapanadze L. A. Na granitse pis'mennogo i ustnogo teksta: struktura i tendentsii razvitiya elektronnykh zhanrov [On the board of written and spoken texts: structure and tendencies of e-genres development]. Kapanadze L. A. Golosa i smysly. Izbrannye raboty po russkomu yazyku [Voices and meanings. Selected papers on Russian language]. Moscow, 2005, pp. 305–320.
  13. Makarov M. L. Zhanry v elektronnoi kommunikatsii: Quo vadis? [E-communication genres: Quo vadis?]. Zhanry rechi: sb. nauch. tr. [Speech genres: collection of scientific works. Ed. by V. V. Denentyev]. Iss. 4. Saratov, 2005, pp. 336–352.
  14. Kozlova N. S. Sotsial'naya set' Instagram kak sotsial'no-psikhologicheskoe yavlenie [Social net Instagram as a social and psychological phenomenon]. Molodoy uchyonyi [Young scientists]. Iss. 16, 2014, pp. 387–390.
  15. Celebrating a Community of 400 Million. Available at: http://blog.Инстаграм.com/post/129662501137/ 150922-400million (accessed 05 May 2016).
  16. Ryazantseva T. I. Gipertekst i elektronnaya kommunikatsiya [Hypertext and e-communication]. Moscow: 2010, 256 p.
  17. Bakhtin M. M. Problema rechevykh zhanrov [Problem of speech genres]. Bakhtin M. M. Sobr. soch.: v 5 t. T. 5. Raboty 1940-kh nachala 1960-kh godov [Collection of works: in 5 vol. Vol. 5. Works of the 1940th the 1960th years]. Moscow, 1996, pp. 159–206.
  18. Sorokin Yu. A., Tarasov E. F. Kreolizovannyie teksty i ih kommunikativnaya funktsiya [Creolized texts and their communicative function]. Optimizatsiya rechevogo vozdeistviya [Optimize speech effect]. Moscow, 1990, pp. 180–181.
  19. Аtyagina A. P. Tvitter kak novaya diskursivnaya praktika [Twitter as a new discursive practice. Cand. philol. sci. thesis diss.]. Omsk, 2014, 22 p.
  20. Top-10 tipichnykh foto instagrama. Chto takoe heshtegi i pochemu ot vas otpisyvayutsya druz'ya [Top-10 of the typical Instagram photos. What is hashtag and why do friends stop following you?]. Available at: http://irecommend.ru/content/top-10-tipichnykh-foto-instagrama-chto-takoe-kheshtegi-i-pochemu-ot-vas-otpisyvayutsya-druzy (accessed 06 May 2016).
  21. Korshunov A. V. Izvlechenie kl'uchevykh terminov iz soobshcheniy mikroblogov s pomoshch'yu Vikipedii [Extraction of key terms from microblog messages using Wikipedia]. Available at: http://citforum.ru/database/ articles/twitter_kw_extraction (accessed 06 May 2016).
  22. Shchurina Yu. V. Kommunikativmo-igrovoy potentsial heshtegov [Hashtag communicatively-game potential]. Vestnik Cherepovetskogo gosudarstvennogo universiteta [Bulletin of Cherepovets state university]. No. 8 (69). 2015, pp. 100–104.
  23. Solis B. The Hashtag Economy. Available at: http://www.briansolis.com/2011/06/hashtag-this-the-culture-of-social-med... (accessed 06 May 2016).
  24. Chernikova A. Fenomen novogo interneta: heshteg [А new Internet phenomenon: hashtag]. Available at: http://cossa.ru/articles/234/4901/ (accessed 06 May 2016).
  25. Galyamina Yu. E. Lingvisticheskiy analiz heshtegov Tvittera [Linguistic analysis of Twitter hashtags]. Sovremennyi russkiy yazyk v Internete [Modern russian language on the Internet]. Moscow, 2014, pp. 13–22.
  26. Shchurina Yu. V. Internet-memy kak fenomen internet-kommunikatsii [Internet memes as a phenomenon of Internet communication]. Nauchny dialog. 3. Filologiya [The scientific dialogue]. No. 3. Philology. Ekaterinburg, 2012, pp. 160–172.
  27. Nezhura E. A. Novyie tipy kreolizovannyih tekstov v kommunikativnom prostranstve interneta [New types of creolized texts in the communicative space of the Internet]. Teoriya yazyika i mezhkulturnaya kommunicatsiya [Theory of Language and Intercultural Communication]. 2012, no. 2, pp. 47–52.
  28. Zappavigna M. Discourse of Twitter and Social Media: How we use language to create affiliation on the web. NY, 2012, 227 p.
  29. Zimmer B. Hashtag, You’re It. North American. April, 2013, p. 24.
Heading: 
Full Text (PDF):
(downloads: 488)